Test: 3

Knox Magazine

Summer 2024

Investing in Experiential Learning, Inspiring Community Engagement

James “Bud” ’63 and Mary Jo Potter ’62 commit $1.25M to the Potter-Carre Experience Endowment Fund

Megan Scott ’96 & Monica Keith

I bright green tree against blue sky with the sun shining on it.
Beth Potter ’89 and Robin Carre ’85 made a difference in the lives of everyone who knew them. As a physician and an educator of future health professionals, Beth was dedicated to improving access to quality care for women and families in underserved communities. Robin worked every day as an educator, consultant, and active leader in youth sports to create opportunities for young people to build their skills, knowledge, and confidence. This tree was planted on the Knox campus in their honor by their classmate Brett Beckman ’89. Photo by Steve Davis

When James “Bud” ’63 and Mary Jo Howe Potter ’62 received the first report on the use of the Potter-Carre Experience Endowment Fund, they were immediately moved by the impact the fund was having on students.

“Your support helped me explore new opportunities more freely and learn more deeply about the world I live in and how to give back to it,” said one student. “I was part of something bigger than just an internship,” shared another. A few months after reading these student experiences, the Potters reached out to Knox and decided to make an additional contribution of $1.25 million to the fund.

Established in memory and honor of the Potter’s daughter, Beth Potter ’89, and her hus- band, Robin Carre ’85, the Potter-Carre fund supports experiential learning opportunities like study abroad or internships for students who demonstrate an interest in public health, education, and social justice, among other areas that were important to Beth and Robin.

The effort to establish the fund was spearheaded by classmates and friends after Beth’s and Robin’s untimely passing. Heather Hellenga ’90, Jeff Gossrow ’88, and Ned Schaub ’91 led the campaign, supported by the generosity of more Knox alumni and friends. The Potter’s addition to the Potter-Carre Experience Endowment Fund expands the number of experiences available to students, keeping Beth’s and Robin’s commitment to community engagement and service alive. Mary Jo hopes “our gift will provide opportunities for students to study, analyze, and participate in solutions to real-world problems outside the classroom.”

“This is indeed a very impactful award for our students,” said Lindsey Rogers, who coordinates Knox’s Power of Experience grants that support student experiential learning opportunities. “These experiences and the values that they promote will create a lasting impact in so many ways.”

A plaque under the tree "In Loving Memory of Better Potter ’89 & Robin Carre ’85.
Photo by Steve Davis

Their gift to the Potter-Carre Experience Endowment Fund is the latest example of the Potter's commitment to their alma mater. Bud and Mary Jo have been lifelong contributors to Knox, supporting the annual fund and capital projects, hosting Knox events, and serving as Admission volunteers. Bud has also served on the Board of Trustees in multiple capacities, including an Alumni Trustee and is currently a General Trustee. He is a recipient of the Knox Alumni Achievement Award and a Knox Service Award for his volunteer activities on behalf of the College. Mary Jo graduated from Knox with a degree in elementary education and is a member of Delta Delta Delta. She has been a member of the Alumni Council, serving as Secretary.

“This gift beautifully reflects how this community came together to honor and uphold the enduring values cherished by Beth and Robin,” said President C. Andrew McGadney. “We are truly grateful for Bud and Mary Jo’s commitment to expanding the Potter-Carre fund, providing more Knox students with the opportunity to explore experiential learning opportunities. Their gift is a true celebration of shared values and enduring legacy."

Marina Hart

Marin Hart ’24

Study Abroad with SIT’s Social Movements and Human Rights program, Argentina


“Making the decision to attend this program wasn’t meant to be comfortable, it was meant to make me grow into the version of myself that I want to be—brave, self-assured, and eager to share my voice with the world.”

Brandon Roberts
Photo by Steve Davis

Brandon Roberts ’25

Study Abroad at Charles University, Czech Republic

“One of my courses has developed into the core of my current religious studies research at Knox. In fact, [an edited version of] the paper I wrote as my final for that class was presented at the Macksey Symposium at Johns Hopkins University.”

Ngoc Nguyen

Ngoc (Jade) Nguyen ’23

Summer Undergraduate Research, University of Florida Department of Pharmacology & Therapeutics

“This experience has given me a wonderful opportunity to apply my biochemistry background to the study of diseases and therapies, significantly shaping my decisions regarding graduate school and future career.”

Mira Plante-Cochrane

Mira Plante-Cochrane ’23

Internship at Changing Children’s Worlds Foundation, Geneva, IL

“This experience helped me cement my future aspirations of being a social worker. I learned so much about the client- centered work of a social worker, as well as all the hard work that goes on behind the scenes and how to communicate professionally with caseworkers.”

Kaustuv Dawadi
Photo by Steve Davis

Kaustuv Dawadi ’23

Internship working on Rural Access Program Mugu-Humla Link Road, Nepal

“The lives of the people in these rural areas were greatly affected by these projects. [It] made me feel like I was part of something bigger than just an internship. We were actually changing and bettering the lives of so many people.”

Test: 3

Knox Magazine

Summer 2024

President's Letter

President C. Andrew McGadney
Photo by Kent Kriegshauser

Dear Knox Community,

As I look back upon the year, one phrase comes to mind . . . Knox on the move.

Three years ago, our Board of Trustees invested in an ambitious five-year strategy that sought to increase demand for a Knox education, make key investments in our campus and community, and lean into our distinctive programs. Thanks to the Board’s support, and in conjunction with our senior team, faculty, and staff, we are seeing key elements of our plan come to fruition.

Thanks to strategic investments supported by the Board, we were able to launch new institutional branding, hire the nation’s leading enrollment consulting firm, and double down on scholarships and aid. These investments and the commitment of our staff and faculty across the College to buck the trend of declining enrollment have led to the recruitment of one of Knox’s largest expected classes in decades for fall 2024. Work continues over the summer to ready the campus for our new and returning students, and we look forward to welcoming students back in the fall to many campus updates. In addition to breaking ground in May on new facilities at Green Oaks, we are investing roughly $20 million, including support from gifts and grants, in campus renovation, accessibility upgrades, and renewal projects across campus, including the Eleanor Abbott Ford Center for the Fine Arts, George Davis Hall, Umbeck Science-Mathematics Center, and several residence halls.

We have also made significant investments in our campus and community, specifically in our faculty and academic program. As we announced earlier this spring, Trustee Dan ’99 and Liz Holmes Spaulding ’99 made a gift of $1 million to the Knox Fund in support of our exceptional faculty. Chair of the Board Tony Etz ’83 and Nancy Etz established the recently announced Etz Family Institute for Civic Leadership and Dialogue. Plans are well underway to launch the institute this fall thanks to the work of the institute’s faculty co-directors, Konrad Hamilton, history, and Thomas Bell, political science.

Finally, leaning into our distinctive academic programs, summer immersive experiences are continuing this summer, and the 10-week Japan Term will return in the fall. Additionally, Trustee James “Bud” ’63 and Mary Jo Potter ’62 committed $1.25 million to the Potter-Carre Experience Endowment Fund to support students who explore experiential opportunities in public health, education, and social justice, among other areas. You can read more about immersive experiences and the Potter-Carre fund in the following pages.

Our progress today is a direct reflection of the Board of Trustees’ confidence in Knox’s academic program, faculty, staff, and administration, and their willingness to invest for our future. And the most exciting thing . . . we have more good news on the horizon. Be on the lookout for additional community updates on our strategic priorities in the weeks and months ahead.

With warmest regards,

Test: 3

Knox Magazine

Summer 2024

From Radical to Routine

How Immersive Terms Revolutionized the Knox Education

Mitch Prentice ’17

Two students dance at rehearsal during Rep Term.
Photo by Peter Bailley ’74, Knox College Archives

In 1971, the notion of whisking a cohort of Knox College students away to a farm in Wisconsin for a 10-week, 3-credit academic course called Farm Term was unheard of. Fast forward more than five decades and this innovative concept has become a cornerstone of Knox College’s curriculum.

Immersive terms at Knox are now a regular part of the student experience, like study abroad or First-Year Preceptorial, and prospective students actively seek out Knox because of these transformative opportunities. To understand how this concept came to fruition, one must take a step back even further in time than Farm Term.

Students performing in the production of Badge.
Students perform the production of Badge, during the first official Repertory Term in 1970. Photo by Knox College Archives

The genesis of modern immersive terms at Knox can be traced back to the Repertory (Rep) Term, first documented in the 1969-1970 course catalog. At the time led by Robert “Doc Bob” Whitlatch and Ivan “Mr. D” Davidson, Rep Term endures to this day with its 20th iteration slated for winter 2025. The pair began the development of Rep Term in 1967, hoping to create something new within the department that challenged students as actors and within the technical side of live performance.

The term was founded as an exploration of various elements of theatre, including acting, technical production work, management, producing, student designing, and classroom study to foster a professional environment for students. This unique experience was a major draw for students pursuing a theatre career or those interested in simply immersing themselves in the field.

Smith V. Brand Distinguished Professor of Theatre Liz Carlin Metz today collaborates with colleagues Associate Professor of Theatre Craig Choma ’93, Associate Professor of Theatre Jeff Grace, Assistant Professor of Theatre Deana Nichols, and Instructor and Costume Studio Supervisor Allison Hahn to deeply engage students in the creative process and decision making by simultaneously
producing two live shows.

Over time, Rep Term has undergone key curricular changes. Originally envisioned as a conservatory style experience when the American repertory theatre system was still prolific, it was adapted to better suit the needs of students in a modern academic environment and prepare them for the kinds of early career theatre experiences more reflective of the modern theatre industry. The intense workload, reminiscent of the kind of workday professional theatre makers undertake, proved unsustainable, leading to a shift in approach catering to individual skill development and retaining core Rep Term concepts.

“I appreciate everything that I eat so much more. I have tried to produce more of my food, too. All my children have gardens. Some have chicken and bees; the Farm Term extends through generations. I have taken my children and now my grandchildren to working family farms so they can gather eggs, feed animals, and shovel manure. I want them to see the whole process just like I did.”

—Jan Dressel ’71, Farm Term

It wasn’t long until additional immersive concepts entered Knox’s curriculum. During the spring term of 1971, George A. Lawrence Distinguished Service Professor Emeritus and co-director of the Lincoln Studies Center Doug Wilson helped lead the charge for Farm Term to take root.

Having just purchased land in Crawford County, WI, with wife Sharon, his colleagues Dewey Moore, geology, and Robin Metz, English and Creative Writing, joined in, purchasing property of their own near the Wilsons’ farm.

In that era, Wilson recalls a desire for curricular innovation. The term was classified under a new concept called a “satellite curriculum,” a precursor to the immersive experiences that Knox continues to this day. The curriculum committee accepted the idea, and nearly 30 students signed up to take part.

“The ideas of what teaching could be were evolving,” Wilson said. “There was a lot of new blood mixed in with the old faculty. We had new ideas and wanted to work together to improve what Knox could offer.”

The concept of Farm Term was wholly original and widely examined. Wilson recalls many colleagues within Knox and in neighboring institutions questioning whether or not this term could truly be considered a college course. Could raising chickens and growing vegetables replace textbooks and chalkboards? The term even attracted the attention of the Chicago Tribune, landing a front-page article highlighting the radical new concept of learning happening at Knox.

Similarly groundbreaking was the introduction of Open Studio during the 1970-71 academic year, a hallmark of the studio art major. Now in its fifth decade, Open Studio remains the ultimate test of artistic readiness, challenging students to pursue creative expression with minimal guidance. During the winter term of their senior year, with no other courses, students immerse themselves in the studio with no guidelines. The goal is simply to create.

Though the core remains much the same, the term has seen changes since its earliest year, including frequent faculty critiques, the use of digital tools to document work, and the addition of a senior practicum course in the spring to help bridge the gap between Open Studio in the winter and graduation.

Professor of Art Mark Holmes says the course is the ultimate test for students wanting to join the field. Even though the intensity of the course is clear, he says many prospective students come to Knox anticipating the challenge and looking forward to meeting it head-on.

“By the time Open Studio begins, we have to let go and see if the students have learned enough to hold on to on their own. It’s sink or swim,” Holmes said.

Participants of Farm Term walk the fields during a morning class.
Participants of Farm Term walk the fields during a morning class. Photo by Knox College Archives

Farm Term only took place once, while Open Studio remains a core component of the art major. However, Farm Term wasn’t the only course concept that Wilson helped pioneer. Alongside Szold Distinguished Service Professor Emeritus of History Rodney Davis, Wilson helped develop the Great River course.

The course centered around the study of the Mississippi River. Students were introduced to the course by studying the river's history while on campus. Throughout the term, Wilson took students on short trips on the river and to towns developed along the river to study their history and to learn about how it was mapped over time.

Though it wasn’t designated as such at the time, one could argue that the Great River course was the precursor to what became known as short-term immersive opportunities.

A student gives a presentation during StartUp Term.
Jaelon Brooks ’22 gives a presentation during StartUp Term. Photo by Carla Wehmeyer

The Modern Immersive Term

Over the ensuing decades, immersive terms at Knox have continued to evolve and diversify.

In 2001-02, Green Oaks Term was introduced, adding a brand new experience to the slate of offerings. Much like a local study abroad option, Green Oaks Term sees students and multiple faculty members travel to the Green Oaks Biological Field Station outside of Victoria, IL, where they live as a small community. Although the term consists of classes, papers, assignments, and presentations, much of the learning takes place through immersion in the land during hikes in the woods, service projects, and more.

Watson Bartlett Professor of Biology and Conservation, Stuart Allison, who also serves as the director of the Green Oaks Biological Field Station, says the framework for the term was inspired by Farm Term. Allison worked alongside Professor Emeritus of Anthropology Jon Wagner and Robin Metz to create Green Oaks Term, with a desire to better utilize the space.

The founding years of the term focused on teaching students the biological, artistic, and anthropological elements of Green Oaks, looking at plants, animals, and signs of human life in the area before development. Metz developed the natural imagination course element of the term, which focused mostly on creative writing, thought did include some visual art. Over the last two decades, many faculty members have joined the course in various ways, including Associate Professor of Art Tony Gant.

Michael DeGroot’s ’03 internship at Cottonwood Healthcare Center in Galesburg, a residential treatment facility for individuals with serious mental illness, led to his first job as a psychosocial rehabilitation services coordinator. This experience paved the way for medical school and a psychiatry residency at the University of California, San Diego. Michael now works as an inpatient attending psychiatrist at VA Minneapolis and teaches medical students at the University of Minnesota Medical School.

Students were given the choice of what academic avenue they wanted to pursue. However, though the academic focus was individualized, the core concepts of living as a community in a remote biological field station have remained the same to this day.

“Setting up the community is a key feature,” Allison said. “You’re in this space with these people, and you have to make it work. Different people have different tolerances for noise, sloppiness, etc. At its core, though, this is an opportunity to be a part of something you’ll never be able to do again, with the structure of a college education around you.”

In the following academic year, 2002-03, another immersive term was introduced to the curriculum, Clinical Psychology Term (CPT). Founded by Emeritus Professor of Psychology Tim Kasser, the term helps students completely immerse themselves in clinical and counseling psychology by taking two clinically-focused course, while also completing a clinical psychology internship.

CPT gives students local opportunities to learn, through partnerships with centers such as the Safe Harbor Family Crisis Center, Galesburg Rescue Mission, assisted living facility Seminary Manor, and more. Kasser says CPT was designed not only to teach but to gauge whether or not students would still be interested in the field after experiencing it first-hand.

“It’s a powerful way of learning to see that,” Kasser said. “It’s nice to put students into the environment where it actually happens. There can be a skewed image of what mental health services really look like.” 

CPT has a unique structure among immersive terms, giving students a classroom learning experience in parallel to the in-person internship work, which takes place within the same course week instead of being separate parts of the term. Because of this, Robert M. & Katherine Arnold Seeley Distinguished Professor and Chair of Psychology Heather Hoffman says students internalize coursework more directly. “Our community partners offer a stable environment for students to learn different elements of the field,” Hoffman said.

Entering the 2003-04 academic year, a change was made in the course catalog to help differentiate immersive offerings. A new section titled Special Programs and Opportunities was created, creating a defined space for study abroad, independent studies, and courses that would today be considered immersive terms.

Among the newest immersive concepts, StartUp Term was pitched and landed on the curriculum 2015-16. Again, providing a new concept of what an immersive term could be, StartUp Term invites teams of Knox entrepreneurs to transform original business concepts into real services and products.

Associate Professor of Computer Science Jaime Spacco says the term was hatched out of a conversation between himself, William & Marilyn Ingersoll Professor Emeritus of Computer Science John Dooley, and Wagner Distinguished Chair Emeritus in Business and Executive-in-Residence John Spittell. The group wanted to create a course that merged business concepts with elements of computer science. After going back to the drawing board multiple times, StartUp Term was eventually created.

Spacco says the course is a natural progression of the liberal arts approach, giving students with grand ideas a format to realize them. Student pitches are funneled in fall term and, if accepted, put into the 10-week entrepreneurship gauntlet in the spring. Spacco believes this course is another way Knox provides various educational approaches.

“Students may have an idea of what they want to do, they may have this really great idea, and this term allows them to put those ideas to the test while giving them a soft landing if it doesn’t work out,” Spacco said.

Associate Professor of Art Tim Stedman ’09 joined the course faculty list in 2017, bringing a design mindset to the table and helping students clarify the identity of their project through visual elements. “I wanted to help students conceptualize the face of their project and focus on the identity of their pitch,” he said.

Now, four iterations of the term later, student pitches have gone all the way to sessions of Elmspring. This real estate accelerator supports technology startups, including the “Chart Air” concept in 2017. This pitch aimed to make flight planning easier and more efficient through an online platform that provided data for airport fees for private airplane flights.

As of 2024, these five courses (Rep Term, Green Oaks Term, CPT, Open Studio, StartUp Term) remain core offerings. There are also short-term immersive experiences, which offer another format for experiencing the immersive experience, including Knox in New York, London Arts Alive, or Teaching on the Navajo Reservation.

More recently, following education interruptions from the COVID pandemic, Immersion Summer courses were designed to provide immersive experiences without the barrier of travel. The coursework was divided into 4- and 6-week courses, ranging from studies utilizing the Knox Observatory, to a course on Middle Eastern music with trips to Chicago and Michigan.

Graduation rates rated against immersion experiences.
Since 2006, approximately 14% of the student body has participated in immersive terms. As illustrated in this graph, participants have an average graduation rate of nearly 90%, 17 points higher than the overall student population. College leadership envisions immersive term participation reaching 50% over the next several years. To achieve this, additional resources are planned to aid in improving overall term quality.

Common Threads

Looking at immersive terms from a wide angle, it becomes clear that these courses have connecting threads making them uniquely Knox. One such thread is the approach to providing a deep, focused view of the concept.

During a regular term at Knox, many students will shuffle three courses, on top of extra-curricular activities and even a job on or off campus. Immersive terms at Knox provide a moment for students to shut off the need for multitasking and soak in a deep well of knowledge in a singular area of study.

Having taken part in more than half of the total Rep Term courses since 1970, as a student and as a professor, Choma says  Knox students have always looked for a way to create their academic pathways. Over the years, Choma says Rep Term has had to adjust its approach to providing the theatre experience, limit what is mandatory within the term, and bolster the individual outcomes and goals. By allowing students to focus solely on lighting or solely on costuming instead of forcing them to act on stage (which at one time was a requirement), students can slow down and focus deeply.

“Immersive learning slows down and quiets the noise,” Choma said. “Students are accustomed to multi-tasking, multi-screening their lives. But when they do that, the information is much more surface-level. Having a deeper understanding of a singular concept is key.”

Spacco sees StartUp Term in a similar light, allowing students to collaborate on a single pitch and work on every facet. From crafting an idea to testing its viability and designing every element to the literal office spaces rented in Galesburg for students to work from, StartUp Term is designed to truly recreate the entrepreneurial process. He sees this approach as a defining factor of what makes immersive terms special at Knox, providing a modern approach to teaching that is an evolution of the core concepts.

“Education is different for everyone,” Spacco said. “Immersive terms take the preconceived idea of what school is and inject some modern sensibilities.”

Students gather in the Whitcomb Art Center during Open Studio.
Students gather for breakfast with art faculty Mark Holmes in the Hausmann Open Studio area in Whitcomb Art Center. Photo by Peter Bailley ’74

Another connecting thread is the idea that immersive terms provide a simulation of real-world opportunities. From the artistic freedom of working in a studio with no guidance on your next project, to the in-person internship experiences of working as a clinical psychologist, immersive terms give students the framework to live out the experiences for these fields, while developing skills in a controlled environment.

Looking back at the original immersive concepts, Wilson says Farm Term’s student body included many students from metropolitan areas. The term allowed the faculty members involved to give these students a one-to-one simulation of life on the land in 1971, something that could never be accomplished in a classroom setting. This has remained a core draw for many prospective and current students when considering immersive terms, something for which Knox Provost and Dean of the College Michael Schneider believes the
College has been a trailblazer.

“Nationwide, we were certainly ahead of most places when the idea of immersive terms was created. We were a leader and innovator in this idea,” Schneider said.

“StartUp Term had a huge impact on me during my time at Knox and still is to this day. It allowed me a chance to help lay the foundation for my creativity, teamwork, and entrepreneurship skills. Working on a team and with professors with different skills showed me the importance of always combining different minds and continuously learning from the people around you whether you're trying to make a profit or not.”

—Cortney Hill ’17 StartUp Term

The Perfect Trimester Fit

Few elements of the immersive term structure are as representative of the Knox educational structure as the way these terms fit into the trimester curriculum.

By utilizing the 10-week structure of trimesters, students can try immersive terms without interfering with a significant amount of their overall education. When developing CPT, Kasser says these terms “fit brilliantly” into the trimester framework. If a student wants to try out a term and, in the case of CPT, ends up disliking the fundamentals of what they experience, a single trimester spent experimenting is less disruptive to their time at Knox.

Many faculty involved with teaching immersive courses agree that the workload necessary to complete a common immersive term would be equivalent to two typical semesters. When looking at it from this perspective, a single trimester term is 1/12 of a total Knox education, whereas the necessary two semesters of work would be the equivalent of 1/8.

Short-term immersive courses such as Knox in New York also thrive in the trimester curriculum, utilizing the winter break as an opportunity to complete the fall trimester studies with a travel experience that doesn’t interrupt the normal course load.

This does not mean that immersive terms are any less impactful at only 10 weeks. For Green Oaks Term, Allison says this 10-week window provides a timeframe to remove students from their normal campus environment long enough to immerse themselves in the area and form a new community without disconnecting them from the greater Knox community for too long.

Ultimately, the trimester system is a fundamental element of immersive terms at Knox, allowing students to take risks and experiment with their education.

Knox students wearing traditional Japanese clothing pose with local high school boys during Japan Term.
Knox students wearing traditional Japanese kimonos pose for a picture with local high school boys during Japan Term.

The Future of Immersive Learning

As Knox moves forward and curriculums continue to evolve, one might naturally question where immersive terms will go from here. An immersive and active learning element was added to graduation requirements for students in 2018, emphasizing immersive terms as a key part of a Knox experience. In the immediate future, Schneider provided some insight into terms returning in the next few academic years.

Assistant Professor of History Jessa Dahl ’10 will help lead the return of Japan Term, an immersive term that debuted in 2006 with additional opportunities in 2008, 2010, and 2014. Formerly led by Schneider and R. Lance Factor Endowed Professor in Philosophy Bill Young, Schneider believes that Dahl will be the first immersive term leader to both join the term as a student and now teach it herself.

After graduating cum laude in history and with a passion for theatre, Amy Carlson ’90 began her acting career starring on the soap opera Another World from 1993 to 1998. This role launched her into movies and as a series regular on television programs, including Third Watch and Blue Bloods. Early in her career, Amy was heavily involved in Chicago’s small theatre scene, where she gained a diverse skill set in costume design and production. She believes her Rep Term experience gave her a greater grasp of what it takes to put on a show and made her more valuable to theatre companies. She emphasizes the importance of staying curious and open to learning, as theatre is a fast-moving industry that requires constant adaptation.

Japan Term sees students study three separate Japan-centric courses on philosophy, language, and history. After immersing themselves in the coursework, students board a plane and travel to Japan for multiple weeks, taking the knowledge they learned in the classroom and transferring it to real-world locations, monuments, and social interactions.

Dahl says Japan Term is truly about immersing oneself in the culture of Japan, more than aiming at a future career or skill set attached to the course.

“We want students to enjoy Japan for Japan, not because there is a career attached,” she said.

Schneider also mentioned the possibility of other terms returning as well. These may include European Identities, offered in 2014 with a 17-day trip to Berlin and Istanbul in December built-in to enhance classroom studies, or Knox in Cuba, offered in 2017 and including an 11-day trip to Cuba, focusing on the country’s people and culture while taking classes in Cuban styles of dancing and drumming.

There is also a strong possibility that Knox will create new immersive offerings, with many being conceptualized each year. Schneider mentioned the idea of Galesburg Term, where students would learn to live within a city the size of Galesburg and embrace the community and economic offering, or even Nuclear Term, where students would study the imagery and media of nuclear culture while visiting historical sites in the U.S. and around the world related to the rise of the nuclear age.

“We want immersive terms to remain a totalizing experience. We don’t want to get away from that idea,” Schneider said.

Ultimately, the hardest question to answer is whether bolstering existing courses or simply adding more courses is the better overall direction for the future health and longevity of immersive terms as a whole. When confronted with this concept, Dahl shared a perspective somewhere in the middle.

To Dahl, the strength of immersive learning is in the interest shared by the faculty and students involved. Stedman shared a similar sentiment, sharing that perhaps the best road forward isn’t to choose either option but to continue the evolution of the concept as a whole and continue to make it a fundamental part of Knox.

“Immersive terms are influenced and improved by the students and faculty involved.

Their interest drives everything forward,” Stedman said. “We need to continue to adapt to what the students need, seeking their interests and providing them with something great.”